This makes color correction, or simply checking each of your clips, super easy, because you can very quickly skip between real clips while ignoring titles and sound effects. The command itself is deceptively useful, because it jumps to and selects the next clip in the same role. The default shortcut for this one isn’t tricky (⌘→) but if you’re constantly holding and releasing ⌘, it’s hard to move really quickly. In this context, Select Next Clip will select the next video clip, not a title or audio I’ve set this to F8, but if you can’t justify a rare single-key shortcut for this one, consider ⇧L to work with the classic JKL playback shortcuts. Without this shortcut, you’d need to press L multiple times, and it’s fantastic to quickly jump from whoa to go with this one assigned. It instantly plays the timeline at 16x normal speed, and there are other variations (1/2/4/8/32) if you would prefer another speed. This is one of those commands that doesn’t work until you assign a key to it, and which is vital for quickly playing through long timelines or source clips. You’ll need two neighbouring keys to make this work well, so look to unused F-keys (F5/F6?) or a number pad if you have one.Īll these different preset playback speeds are available Perfect for on-the-fly tightening of a loose edit, the default shortcuts for these two commands need two keys (⌥) which are more tedious to press than you’d think, especially in close sequence with other shortcuts. These two commands are very useful indeed, making a clip shorter by moving the start or end of a clip to the current playhead position. For this particular command, I recommend zero (0), because there’s nothing there by default (really!) and it makes sense. Instead, assign a key to Set Volume to Silence (-∞dB) and just hit this whenever you don’t want to hear a selected clip. And if you don’t bring in the audio at all, you’ll need to match frame and replace to bring the audio back if you change your mind later. But because that’s a setting that resets on each launch, you’re likely to end up with unwanted sound at some point anyway. To be clear, you can choose to only bring in the audio or video part of a clip by using the switch to the right of the edit buttons on the central toolbar. This command is so useful, I’m surprised it’s not a default. Search first, then drag a command to a key Set Volume to Silence (-∞dB) But what, I hear you ask, are those keys that are worth spending a whole key on? I’m glad you’ve asked. Search for each command in the top right, see them in the list below, then drag them onto the key above to assign it. You’ll assign all these keys through the standard Command Editor, found at Final Cut Pro > Commands > Customize. If you’ve never changed your shortcuts, you’ll need to make a new set Still, even with just a regular keyboard, there are spare keys just waiting to be assigned. And indeed, if you explore CommandPost’s deep support for control surfaces (like a Stream Deck, Monogram Creative Console, Loupedeck and so on) you’ll open up a whole new world of one-key buttons. This article isn’t really about precisely which keys you should assign these shortcuts to, because different keyboards and control surfaces offer different possibilities there. Even ⌘S to save (in any other app, of course) feels slow when you compare it to, say, the space bar to play or pause, or T for the Trim tool. The joy of the one-key shortcut is how direct it can be - these are keys you can hit and immediately get on with the edit. While there are many, many shortcuts to learn, I’ve found that the best shortcuts are the ones you can hit with a single hand, and ideally, with a single key, without any modifiers at all. Final Cut Pro is fast, but you can probably still work faster.
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